Showing posts with label Dusty Springfield. Show all posts
Showing posts with label Dusty Springfield. Show all posts

Tuesday, April 7, 2009

April 07, 2009 Earworm



A little more than six months ago, I told a friend that I felt a need to get back in touch with the person I was prior to becoming a corporate pawn with mortgage or, you know, a grown up. Call it a mid-life crisis if you'd like but I don't think that is true: I wasn't interested in buying a flash car, radical lifting and tucking, or trading in Dan for fresh eye candy. I just wanted to get reacquainted with the person who packed everything up and moved to a new city without having a home, a job, or a clue. I was thinking more of the me who moved to from Baltimore to Atlanta at 23 but Van Vechten's rule* - you get what you want in the form you deserve - guaranteed that the outcome would prove to be different. Within two months, the power of the internet threw me back twenty-five years, to my first escape into new territory, to a mythical place where my only concerns were having the latest records, a distinguishable look, and the time of my life.

Once again, I found myself surrounded by the same people who began their same journeys along side me - through a door opened by the same person who had opened it way back then, oddly enough - and was thrilled to find that they, too, seemed to be looking for a glimpse of themselves as they once were. Talk of reunions began and then plans for reunions began and, although I generally don't find big plans panning out as intended, I began to get on board and as excited as the next person who was about to begin the experience of the bygone.


No show goes off without a few hitches and this would prove to be no exception. Major players backed out, saddled with responsibilities, goals and deadlines, bad timing, illness, and some piss poor excuses. As the proceedings began, there were some glaring holes in the room which everyone noticed, and then there were smaller, more personal tears that left the events feeling a little less than whole for those who had wished for a perfect recreation of a decade when we were patching together the persons we'd become.

Events were staggered, not by design but by reality, so I was afforded the luxury of a slow re-entry that perfectly complimented my disdain for walking into crowded rooms and, again, I was surprised to find conversations beginning as though we'd only talked the day before - helped along with the months of constant chatter on Facebook, obviously. Old intimacies were instantly re-established as inside-jokes and catch phrases found themselves aired out and myths and legends were re-told for those who may have missed them the first time around, often giving the protagonists a chance to hear their stories from a refreshingly different perspective. From sushi houses to hometown homes, people once again began becoming one, weaving ourselves back together, back to a time where a day rarely went by without us passing on the street, meeting for meals, stumbling over each other on a dance floor, or waking up in the same bed.

I'd forgotten the strength one can feel in numbers, the power of a posse storming the gates, and just how tightly the ties that bind are bound. As names were mentioned and then followed by "I didn't know you knew them!" - always with an exclamation point - and connections were explained, the warp for one was established as the weft of another and the idea of peripheral people was edged out and the circle became smaller. And, although it all may sound so community serviced, I also found comfort in discovering, on the "big night" where it felt as though the entire city was crammed into two clubs, that those same people whom I disliked before were still not to my liking.

One of the benefits of getting older should be finding comfort in your beginnings, be it the family to which you were born, schoolyard friends, your house of worship, or the kinship built when you threw conventionality aside in order to build a more suitable, better you. We may be young only once but, like a good marriage, it's in the eyes of those with whom we were young, that we remain young. As families grow, responsibilities swell, and our bodies drop, it's the bonds we created that can hold us together.

In the time leading up to my trip, a day didn't go buy that I didn't hear Dusty Springfield's version of Goffin-King's "Goin' Back". A few days into the trip, I lucked upon a cut-out copy of "The Notorious Byrd Brothers" and was reacquainted with their take on the song. On her recording, Dusty sounds as though the road behind her is long while The Byrds sound as though theirs is just beginning. I find myself feeling quite comfortable in between. And if I got what I wanted in the form I deserved, I must have done quite a few things right along the way because I'm in fine form.

Tuesday, August 19, 2008

August 19, 2008 Earworm


Nobody ever said that Dusty Springfield was easy and when it came time for the song selection for "Dusty In Memphis", Jerry Wexler found out just how difficult she could be when they could initially agree upon only two songs; "Son Of A Preacher Man" and "Just A Little Lovin'". Time has proven that it was a great place to start.

Wexler and engineer Tom Dowd have received plenty of flack over the years for an ever present hiss throughout "Dusty In Memphis" but I've always felt that it added to the intimacy of the album, creating the feeling of overhearing a series of confessions from the table next to yours. In the case of "Son Of A Preacher Man", it practically resonates off the guitar intro like the steam on the streets after a summer rain before being blown away by Arif Mardin's horn arrangement. And it's probably that which makes me want to open every window within reach whenever "Son Of A Preacher Man" comes on. Plus, it's the neighborly thing to do even if the neighbors don't always agree.

With the passing of Wexler last weekend, the creative team behind "Dusty In Memphis", the crew that out-Aretha'd Aretha on "Son Of A Preacher Man", are now all gone. How well we remember...

Tuesday, April 8, 2008

April 09, 2008 Earworm



Flush with Led Zeppelin cash and the pay-offs from other wise shopping in the wake of the summer of love, Ahmet Ertegan and Jerry Wexler began signing up the female vocalists who's voices he'd grown to love during the sixties. Starting with Dusty in 68, Lulu and Cher in 69 - the latter having already been recording for them as a duo with Sonny. In the wake of Carole King's tapestrophic success, they pulled in their own singer/songwriter, Jackie DeShannon, in 1972. Dusty and Lulu would pay off with hit singles and critical appreciation but the albums would be considered flops. Cher and Jackie, both coming from the Liberty family of labels, would end up little more than tax write-offs at the time. The L.A. polish of Jackie's Liberty/Imperial records is wiped raw as the Muscle Shoals gang brought her closer to her Kentucky roots where, by age six, she was singing country standards on local radio shows. Ending up closer to Aretha than to Carole King, the "What The World Needs Now" girl was barely recognizable and the "Jackie" album sank without a trace

But some grown up in my world bought "Jackie" and I think that I've known it as well as I've known the alphabet for as long as I've known the alphabet. As a kid, a line from "Brand New Start" made me laugh as it conjured up Looney Tune images: "...and here I am, at your front door - just knocking with my heart...". Now, having the painful pleasure of knowing that feeling, I can't hear it without a sharp intake of breath, and admiring its perfection even as I wince at the memories. The rest of the song is just as good and Jackie's vocal is perfection; getting rawer and rougher the more she bares her soul. That rawness may be why she lost the singer/songwriter race with "Tapestry", an album that, for all it's beauty, was crafted as meticulously as any of Carole King penned forty-fives for Bobbie Vee or Steve Lawrence.

Fortunately, the good folks at Rhino Handmade also believe in a brand new start and pulled this one-time lost masterpiece of its genre from the dust bin and gave it a fresh mastering and new lease on life back in 2003 with a numbered limited edition. A quick glance over at Amazon shows that it's still in print which could mean that the world is catching on or is still missing a still fresh spin on the singer/songwriter genre.

Wednesday, January 30, 2008

January 31, 2008 Earworm

Shelby Lynne hollers and snorts her way through the retro-spectacular "Your Lies" as she makes her list of all the wrongs to which she's been subjected. There's no doubt that she's pissed and there's no doubt about what's been missed. Just listen to that final "alone"; as much a question as a statement.

Check out "Your Lies" and the rest of the excellent "I am Shelby Lynne". Shelby's tribute to Dusty streets Tuesday, February 5th. Pick it up on your way to the Soundtrack To Nothing exhibition at The Opal Gallery.